Spotlight - Rolemaking in RPGs

Via Rampant Games comes a blog post on creating characters and why - for the author - it's not an essential part of the RPG. He has some good points; after all, character generation is almost exclusively a western RPG feature. JRPGs seem to do just fine without it (Final Fantasy anyone?). It's not essential for someone to enjoy a game; indeed, sometimes it's even a turnoff. When you just want to leap straight into the action, a long-winded series of menus telling you to make a "toon" and assign all your starting statistics may be a daunting and unappealing task.

Remember this, anybody?

Purely from a storytelling perspective, when you define all the characters for the player, it's easier to develop a stronger, tighter narrative. You don't have to consider questions like "oh, but what if the player chose to make his character this." You don't have to worry about whether or not the story is logical with what the player has imagined his character to be. You don't need to concern yourself with consistency between the player and the game. The game has already defined everything, including the player, their character, and their role in the story.

Limiting player choice in creating their characters can thus, arguably, be what strengthens the story of a particular game. Final Fantasy 7, for example, forces you to play Cloud Strife. But is the game any weaker because you're not allowed to create your own character? Not really - in fact, given the story of Final Fantasy 7, using any other character besides the predefined Cloud Strife wouldn't make sense. Using a more recent example, the Mass Effect series - while allowing you to change your class and some superificial characteristics of your character - still forces you to play (a somewhat predefined) Shephard. And the narrative is strengthened, because of this. Can you imagine a Mass Effect game without Commander Shepherd at the helm?

Commander Shephard

So what is the common denominator between the stories in FF7 and Mass Effect? The stories in these games are not about the player; they are about the characters. Final Fantasy 7 is definitively a story about Cloud Strife; Mass Effect is Shephard's story. Make no mistake, these are good stories too.

Why then, when I look back on the last couple of years and almost all of my favorite RPGs have included character generation as one of its features? Dragon Age - Origins, Star Wars - Knights of the Old Republic 2, Neverwinter Nights, The Elder Scrolls - Oblivion. The list goes on. And for me, the answer to my own question is that the stories in these games aren't about somebody else. They're about me.

How relatable is he?

                     + Carries a giant sword
                     - Is an Amnesiac
                     - Is broody and emo
                     - Has ridiculous hair
                     - Carries a giant sword

Okay, not me like in real life. But they are about a character that I made, a character who I know everything about. The stories in those games I mentioned above are all personal stories, involving my own role-making if you will. Something about having my character in a story makes me care that much more about what happens. If you hated Cloud or Shephard, it's likely you probably couldn't finish Final Fantasy 7 or Mass Effect; the challenge for these types of stories is trying to make a relatable protagonist. Well, when a player is given the option to make his/her own character, there's almost no chance that he won't relate to his own creation.

Does it take more effort? Yes, certainly. Is it worth the effort? That depends on the story you're trying to tell.

One of the things that was heavily decried on the Dragon Age 2 forums was how much character generation was being stripped down. Dragon Age - Origins had featured such a strong character generation system, allowing you to choose race, gender, class, starting statistics and skills. Apart from that, they also allowed you to choose between six different origin stories. Dragon Age 2, on the other hand, allowed you to choose your gender and your class. That's it. They even forced you to play a character named Hawke, a la Mass Effect.

The end result was that the Dragon Age series changed from being a personal story for the player ... to Hawke's story. This by itself is not necessarily a bad thing (see my review for the full assortment of things gone awry in DA2). Still, it was a bit disappointing to know that I would not be playing my own character in the second Dragon Age, after the first experience was so captivating.

How relatable is he?
+ You can get rid of the god-awful beard
- You're stuck with his annoying family ...
- His actions don't produce results
- Love interests include known carriers of STDs ... and terrorists.

I get the sense that there is a trend forming, where character creation in RPGs is being left behind in favor of accessibility and approachability. Dungeon Siege III, Dragon Age 2, The Witcher; the last few big name RPG titles have all featured very limited character creation (if at all). Still, for those of us who enjoy making our own characters, we at least have Kingdoms of Amalur and The Elder Scrolls: Skyrim to look forward to.

I hope.

Some People Still Read - Dragon Age: Asunder

Yes, some people still read. Me included (though not as much as I probably should). Sometimes sitting back with a good novel can be more thrilling than watching a movie or playing a game; there's the advantage of being able to see into a character's mind instead of merely watching him do things on screen.

Dragon Age: Asunder is the third book in a series of novels set in Thedas (which btw, stands for The Dragon Age Setting). Yes, Bioware's David Gaider has been tapped to write a third entry in a series of Dragon Age novels. The previous two stories centered on the character of Maric, son of a Ferelden Queen who rebelled against an occupying Orlesian force. In the first title, DA: The Stolen Throne, Maric undergoes trials and tribulations to reclaim his home from the invaders. In DA: The Calling, Maric is given a taste of the Darkspawn threat, and is called upon by the famed Grey Wardens to help track down one of their own, a Grey Warden that has seemingly betrayed his duty.


If you didn't play Dragon Age and have no idea what I'm talking about, then these books are probably not for you. If you did play Dragon Age and are itching to find out just a little bit more about the stunning lore that Bioware has put together for their fantasy franchise, I definitely would recommend that you buy or borrow these books from your local library. The first two novels were set before the events of Dragon Age: Origins and provide an interesting perspective and backstory on some of the events that occur in the game. David Gaider (Lead Writer for Bioware on all the Dragon Age games) weaves an interesting and compelling plot in both stories and while they might not be as intricately woven or designed as "A Game of Thrones," they do a great job of quenching any thirst for fantasy literature you might have.


The plot of Dragon Age:Asunder will detail the separation of the Templar Order from the Chantry, and references events that occur in Dragon Age 2. According to Mr. Gaider, it's best if you play the game first, if you plan to play it at all, as there may be spoilers in the novel. According to a press release issued by Bioware, the story will center on an Orlesian Mage named Rhys, who is accused of various murders within the so-called "heart of Templar Power" within Orlais. If you played Dragon Age 2, you know that the mages and templars of the world do not exactly get along. I won't say much more for fear of spoiling anything, but if you want to know more, I've embedded a video interview with David Gaider (courtesy of Bioware Pulse), where he discusses this upcoming novel. He also shares a bit of advice for aspiring writers and game developers - but don't listen to that; I have enough competition as it is.

;)

You can purchase The Stolen Throne and The Calling via Amazon (Kindle editions available).

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